Archive for the Music Category

The 8 limbs and being a good band member

Posted in Music, Yoga with tags , on November 30, 2011 by Karmela

Have I mentioned that I’m in a band?

I am. I’m a mediocre keyboard player for a modern rock band called Say Something. And by “mediocre,” I mean “really, really bad.” I can barely read music, I can’t play anything that involves using both hands, and I don’t know how to operate my electronic keyboard other than pressing buttons that clearly say “Piano” or “Strings.” Forget about adding effects. And what the hell is this “Transpose” button and why does it mess up me every time I accidentally hit it?

Anyway, I bring this up because surprisingly, of all the things I do in life, striving to be a good band member is what’s most applicable to living through the eight limbs of Ashtanga. Don’t believe me? Here are the eight limbs and how they translate to being a model band member.

Limb numero uno, the “amas” or the “don’ts,” actually has five sub-limbs.  They are:

  • Ahimsa or non-violence. As in do not hurt your bandmates when they don’t want to play the song you want them to play.
  • Satya or truthfulness. I must however be honest if something sucks. It’s usually me, so I have no problem with this tenet.
  • Brachmacharya or control of the senses and celibacy. The celibacy part doesn’t really apply because I’m married to the guitar player. But the control of the senses, I interpret that to mean, “Pay attention!” As in “don’t be distracted during practice.”
  • Asteya or non-stealing. Well, this is easy. Whatever stuff I want to steal is really BIG and HEAVY and I cannot lift them by myself (e.g., an amp/snare drum). So that takes care of this tenet.
  • Aparigraha or non-covetousness. My bandmates are all dudes, so it’s not like I’m about to covet their smashing pair of stiletto leopard-print boots or their faux-but-really-authentic-looking Birkin bag. So this one is easy too. Actually, I’m the band member with the most fabulous accessories, so I’m thinking perhaps they covet mine!!!

Same with limb #2. The “niyamas” or the “dos” has five sub-limbs:

  • Saucha or purity/cleanliness. Basically, use deodorant. Don’t stank up band practice.
  • Santosha or contentment. As in don’t be my usual diva self. I will admit this is the most challenging for me. Divas, by our very nature, are demanding creatures. While I don’t usually demand my way or the highway, I do on occasion like to pipe up and state my opinion even if I know nothing about anything. As a card-carrying R&B girl, what do I know about modern rock? I used to hate it back in the 90s! So I translate this limb to mean, Shut. The. Fuck. Up.
  • Tapas or austerity. Easy. This one means “Don’t spend your money on band stuff.” I leave that up to hubby. And Randy, our bassist and resident collector of musical instruments. Next time you come to one of our gigs, check out his incredibly cool upright bass.
  • Swadhyaya or self-study. This one means practice your parts on your own time instead of using band time. Band time is for the band to see if all the parts work together.
  • The last niyama is Ishvara-Pranidhana or the act of surrendering to a higher source. As in I must defer control of band stuff to the higher sources that are my bandmates. Which is how it should be because they know oodles more than I do about this here ye rock ‘n roll stuff. Some days this is easy to do; some days it’s hard. Just like yoga.

Limb #3, Asana is the most famous of all the limbs. It means steady posture. I interpret this to mean that when I’m up on stage, to stand straight, look out at the audience instead of down on my keys, smile, give them a good show.

Pranayama or “control of prana or life force” is the limb that’s all about breathing. This one is what addresses my stage fright. Deep breaths before going onstage should take care of the nerves.

Pratyahara or withdrawal of the senses is probably the one that doesn’t apply. Playing a gig = performance = external focus = connection with the audience. Totally different from a yoga practice which is internally focused. So we’ll skip this one.

Dharana or concentration totally applies. Have a good time but focus! Don’t mess up!

I apply Dhyana or meditation for after the gig, as in mulling over how I did. Of course my natural tendency is to critique the entire band, which I have to constantly work to refrain from doing because, again, what do I really know about playing/music/singing?

And finally we have the last limb, Samadhi, or being in a super-conscious state. I interpret this to mean being hyperaware of what’s going on with the band and being attuned to my bandmates’ likes/dislikes/moods/preferences. Which means I must control the attitude and listen to people who know more than me.

See? What did I say about the Eight Limbs? Totally applicable to my role as Resident Mediocre Piano-Playing Diva, right? But do I apply them to the rest of my life? Baby steps.

 

If you’re curious and wanna see a performance of Say Something, or you’re a fellow Type-A Ashtangi who’s already looking for something to do this New Year’s Eve, come party with us here.

Don’t stop believing!

Posted in Music with tags , on August 11, 2010 by Karmela

As a kid, there were three things I absolutely hated doing:

  1. Waiting. Still do, as a grownup.
  2. Sitting still. Quite obvious, per #1.
  3. Playing the piano.

Let me correct #3. It wasn’t actually the playing part that I’d hated. It was the learning part. Hated sitting still, hated the tedium of finger exercises, hated the patience required to learn a piece.

So it is quite ironic that two nights ago, there I was, patiently and repeatedly trying to learn the keyboard part to The Cure’s Just Like Heaven, playing the song over and over and over again NDH practically vomited on the amp he’d gotten so sick of the song. (Note to self: headphones.) And then last night, there I was again behind the piano AND with a band, no less! No doubt both my long-deceased parents were looking down from the heavens with their jaws to the floor and then afterwards they were both cupping their hands to their mouths and yelling , “See? We told you playing the piano would be a good thing! WE TOLD YOU!”

Ma and daddy, you were right. It was GREAT fun. Thank you for insisting on those early rudimentary lessons. Twenty-eight years later I’m superduper rusty, and I’m struggling to read notes like a Kindergartener stumbling through Goodnight Moon, but for some reason (old age, no doubt), I’ve developed the patience(!) and the ability to sit still(!) that’s required of playing the piano.

So yes, my audition with the guys went fairly well last night. I’m on what I’ve called Band Buzz, which is surprisingly similar to Dance Buzz, but with more ringing in the ears and less shortness of breath.

Now NDH has asked me if I could try and learn Journey’s Don’t Stop Believin’. The bad news on that is, as the guys warned me, it’s such a well-known song probably half the room will know how to play the piano intro, so there’s no room for mistakes. The good news is that I’ve looked at the sheet music, and, well, I think I’m willing to dive into it.

Wish me luck, willya? I’m going to take inspiration from the song and well, I won’t stop believing.

Rock on.

Rock Star!

Posted in Music with tags , on August 10, 2010 by Karmela

TONIGHT: First practice with The Cheap Dates.

SONG STATUS:

  • In Between Days by The Cure: OKAY thanks to übersimplification of keyboard arrangement.
  • Don’t Change by INXS: OKAY thanks to NDH’s help and relative ease of original keyboard arrangement.
  • Just Like Heaven by The Cure: KICKING MY ASS. Lots of different parts to this. There’s synth, then there’s piano, and there’s a FREAKING solo.

Man, this is hard work! Not that I’m complaining. I actually love it. Pretty cool, all this music-making. Just wish I had better skillz. But I’m tempering my dismay at my lack of technique by ruminating about my outfit onstage. Right now I’m thinking leather vest and hot pants, no? If I don’t sound like a rocker, I can at least look like one. Heh.

Wish me luck tonight.

Everything I Know About Playing In a Band I Learned From Marty McFly

Posted in Music with tags , on August 9, 2010 by Karmela

Over the years, I’ve discovered a couple of truisms about working with untrained dancers:

  1. The less skill/experience a dancer has, the more rehearsal time she usually needs. But conversely…
  2. The less skill/experience a dancer has, the less rehearsal time she usually wants.

I bring this up because I’m about to embark on a new performance experience where *I* will be the untrained newbie and will need the most rehearsaltime. NDH’s rock band has asked me to play keys for three songs for an upcoming gig that’s a mere thirteen days away. But unlike untrained dancers, I know I have no skill and therefore I know I need more practice. And yep, I want more practice.

As a dancer and choreographer, I know the amount of sweat, blood—and, most important—the amount of repetition it takes to successfully stage a piece. You can’t just learn a dance until you’re bored with it; you have to learn it until you’re sick of it, until the opening bars to the accompanying music make you wanna run away and scream for your sanity. And there’s more to performing a piece than just the actual dancing. You have to rehearse it until you get the timing of the background video just synchronized, and the emissions of the smoke machines just right, and the lighting effects perfect, and the costumes to not rip during a particularly energetic part.

Same with musical performances. There’s listening to the other instruments and knowing the lyrics cold and memorizing when the drum fills come in and when the guitar solo enters. I’ve never played with a band before (and I’m not counting the time I sang “I Will Survive” during Live Band Karaoke), so yeah, I need all the practice I can get. Unfortunately, practices for NDH’s band are a lot less Nazi than my dance rehearsals, with a lot less yelling and a lot more drinking allowed. It is rock after all. They play a song twice, maybe three times, before they wrap it and move on to the next song. I may need more repetitions than that. Just sayin.

Here’s hoping the band doesn’t beat me up for asking them to play “Don’t Change” for the 25th time. But if all else fails, I think I know what to do: I’ll just watch out for the changes and try to keep up.

Wanted: Awesome Piano Teacher

Posted in Music with tags on July 27, 2010 by Karmela

As a kid, I always toyed with the idea of suffering through the terrifying and long-term wrath of my mother than go to my piano lessons.  Call me crazy but the act of  sitting still in a silent room with ramrod straight-posture to play the game of match-what-white-key-goes-with-what-note was, to my ten year old self, the height of hellish torture. It didn’t help that my teachers were all of the “Asian School,” i.e., they were as serious as anthrax, as strict as nuns (which one of them actually was), and believed in whacking fingers with a ruler when said fingers pressed the wrong keys. Looking back now, I can’t imagine how the piano ever got played. How can people stand the learning process? It’s scary! Deadly dull! Torturous!

Unfortunately the only other person scarier than my piano teachers was my mother, and so off to piano I went.

Recently, I’ve been getting hit with painful waves of deja vú during my kids’ piano lessons. The irony is that somehow, of the hundreds of piano teachers in our large metropolitan area, we managed to land one that’s as scary, as strict and as unsmiling as my old teachers. She’s even Asian! When my kids are in the middle of their lessons and Ms. Drill Sergeant is drilling them on their notes, I get this surreal feeling that I’m ten years old again with my teacher barking at me in that hot little room feeling overwhelmed and totally helpless by my inability to match the correct key to the correct note. It takes every fiber of self-control I possess not to shoo this woman away from my house in the middle of lessons.

Does learning the piano have to be like this? There’s got to be a better way, from a teacher who has somehow found a way to merge learning AND fun. I have no clue if such a teacher exists, no suggestions to make, or if this combination of edutainment in piano learning is even possible. Can learning how to play the piano be fun? Can it be engaging? And more importantly, are piano teachers allowed to smile?

I’m firing the kids’ piano teacher today. Hope she doesn’t come after with me a cleaver. Okay I jest, I don’t think she travels with a cleaver. Just a whip. Still kidding! Yeah, I’m being a big fat chicken here. I’m more scared to fire her than when I fired my last hairdresser. Thank god for email, eh?

But this hasn’t completely soured me on piano learning for my kids. Learning the piano is a great foundation for all things music, so I’m holding out some hope that out there exists a warm, fun-loving and razor-sharp teacher who can teach my kids how to play the piano while engaging them creatively and showing them a good time. In other words, someone AWESOME.  Yoohoo, Mr. or Ms. Awesome Piano Teacher, are you out there? Call me!

Tonight’s Dance Jam Playlist is…

Posted in Music on June 7, 2010 by Karmela

…heavy on the early 90s. Dance hits and hip hop all mixed together in one jammified dance bowl.  I know you know all these songs so prepare to dance AND sing in class tonight! Don’t worry, no one can hear you.

  1. What Is Love, Haddaway. Man, this is a classic. Cheesy goodness.
  2. Good Vibrations, Marky-Mark and the Funky Bunch.
  3. U Can’t Touch This, Hammer.
  4. Jump Around, House of Pain
  5. Buffalo Stance, Neneh Cherry.
  6. OPP, Naughty By Nature.
  7. Baby Got Back, Sir Mix-a-Lot. Heh. You know I was gonna pull this one out. Hmmm…wonder what moves we’ll do to this one?
  8. Whoomp! There it is! Tag Team. Although this song is kinda slow.
  9. The Power, SNAP!
  10. Groove Is In the Heart, Deelite
  11. Everybody Everybody, Black Box. I owned this cassette. Wonder where it is now?
  12. Supermodel, RuPaul.

And for cooldown, I think I’ll either go with Summertime by DJ Jazzy Jeff and the Fresh Prince, or Tennessee by Arrested Development.

Ah, good times. Nothing like music to take you back to that place in your life.

A Dozen A Day

Posted in Music, Uncategorized with tags , on June 5, 2010 by Karmela

Remember this book?

I couldn’t believe it when I saw it!  This is a classic! I used the exact same book during my piano lessons so long ago.

So I recently hired a new piano teacher for Science Boy and Ballerina Girl. Evidently, their old piano teacher (who had to quit because she got a full-time job) was no good. I didn’t say that–the new teacher did!  I had the feeling too that Old Teach’s teaching technique was subpar, just from what I remember of my old piano lessons. Mainly, that the kids seemed only to be learning songs, and not doing any finger exercises. But I didn’t say anything because, hey–I HATED piano lessons, mostly because of said finger exercises. So I didn’t say anything because I’d rather the kids love their lessons and learn slowly than hate them and learn the “normal” way.

So I wasn’t really surprised when New Teach commented on the fact that the kids (a) didn’t know their notes, and (b) couldn’t identify them on the piano.  Sad state of affairs. I had to agree with her. She wasn’t bashing Old Teach, just pointing out some facts. I remember back in the day when I had “music” lessons, not just piano. I did a lot of stuff on pen and paper, identifying notes and counting the beats off the piano. New Teach, in addition to the finger exercises she is making the kids do, gave homework off the piano, using pen and paper, mostly on note identification.

Poor kids. Hope they don’t get turned off from the piano like I did. The good news is the New Teach says they are good listeners and seem to have some capacity for music. Bad news is that she requires daily practice. Not that it’s bad.

Disco Jam!

Posted in Fitness, Music on August 26, 2009 by Karmela

I started teaching a “Dance Jam” class at my gym last week.  It doesn’t really have a set format, mostly instructor’s choice, and I’ve decided that it’ll be a little bit of pop, a little bit of jazz, a little hip hop in there and a whole lotta fun. For next week, I’m going to prep a cardio-disco routine to the following mix:

  1. Last Dance (12″ version) / Donna Summer
  2. I Love the Nightlife / Alicia Bridges
  3. Move On Up / Destination
  4. Love’ Is Really My Game / Ann Nesby
  5. Shake Your Groove Thing / Peaches & Herb
  6. I’m Your Boogie Man / KC & The Sunshine Band
  7. You Should Be Dancing / The Bee Gees
  8. You make Me Feel (Mighty Real) / Sylvester
  9. Disco Inferno / The Trammps
  10. Fame / Irene Cara

Wow, the disco era was filled with one-hit wonders, wasn’t it?  I don’t think Alicia Bridges, Ann Nesby or Sylvester had hits other than the ones listed above.  I’m going to do some deejaying courtesy of Mixmeister and see if I can’t come up with my own smokin’ remix.

Is it better to be best or worst?

Posted in Music, The Dancing Life with tags , , , , on October 29, 2008 by Karmela

I attend two ballet classes where—and I’m being completely objective here—I’m pretty much the best dancer in class. I love it. I love the rush it gives me when I nail the (very simple) combinations, the confidence I feel when I can execute a move while my fellow students struggle. Don’t get me wrong—I am not taking any pleasure out of my fellow students’ discomforts. Just quietly celebrating my own triumphs.

Still, sometimes I get impatient with the class’s slow pace and wish that I were in a higher level class.

Until I actually go to a higher-level class.

Last Friday, I attended a class that was one rung higher in levels than my regular class. And boy, did I quickly go from best to worst. I couldn’t remember the (somewhat complex) barre combos, and couldn’t for the life of me figure out how to do the turning sway balance (what’s the correct term for this?) even though the teacher had broken it down for me.

Despite my confusion and lack of grace, I really liked the class. It challenged me, made me think more about what I was doing. Plus seeing all the great dancers in class who were way better than me gave me something to shoot for. But I didn’t really hit my stride. By the time class was over I felt like I barely danced but merely copied the teacher.

So is it better to be worst or best? How about somewhere in the middle?

ASIDE: Found a couple of amazing ballet class music CDs:

These two CDs are filled with non-cheesy, totally emotional music that is great to listen to just by themselves. If anyone out there doesn’t know what to get me for Christmas…ahem…

Let’s Talk Music

Posted in Music with tags , on September 5, 2008 by Karmela

Every summer I come up with a list of songs that define that summer for me, then I burn CDs for friends and family and give them away. For the Summer of 2008, here is my list:

  • Forever / Chris Brown.
  • Girls Around the World / Lloyd
  • Dangerous / Kardinall Ofishall
  • What You Got / Colby O’Donis
  • Shawty Get Loose / Li’l Mama (although I think this came out in the Winter
  • Elevator / Flo Rida
  • Closer / Ne-Yo
  • American Boy / Estelle
  • Can We Chill / Ne-Yo
  • How Do I Breath / Mario
  • Don’t Touch Me (Throw Da Water On ‘Em) / Busta Rhymes

Definitive song from this list that will define the Summer of ’08: Chris Brown’s Forever. Rawkin. Now, let’s dance. Excuse Ann Whatshername. Start the video at around 2:08.

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