Archive for September, 2008

Bring In Da Pain

Posted in The Dancing Life with tags , on September 30, 2008 by karmelalejarde

Huh. It’s Tuesday morning which means it’s the day after hip hop class and…my ass doesn’t hurt as much. And we fell and dropped and rolled just as much as we did last week. Guess my body’s getting used to da pain! Yay! And I don’t even have any residual malingering hip discomforts.

There were only four people in class last night which I attribute to the fact that America’s Best Dance Crew was at Constitution Hall at the same time. :-( Very sad I missed it, but at the same time wouldn’t have missed hip hop class. I love it. Ms. Represent even gave me some props and used me as an example of what to do. And, best of all, she didn’t pick on me as much. I’m getting better. Flat out!

Wish I can say the same about ballet, specifically about my turnouts. Despite three solid weeks of stretching and contorting and yogaing and pilatesizing, I see no improvements whatsoever, still at about 100 degrees. Gah! I’ve never had a natural turnout even from childhood. When I was ten, I was always so envious of my friend Gingkee Balandra’s amazing ability to open up her legs into a perfect horizontal line. I don’t think she got that from stretching; I think the girl was born with it. Which I definitely wasn’t.

Tonight is ballet class with the Lady Cheerleader! Let’s go!

What a Waste

Posted in Performances, SYTYCD with tags , on September 29, 2008 by karmelalejarde

I’ve become seriously addicted to Ballet Talk For Dancers, an awesome (obviously) ballet forum that is well-moderated and filled with really knowledgeable people. There isn’t a ballet-related question that isn’t addressed on this forum, except, well, how to wear a dance belt. Evidently that topic is forbidden. But everything else is free game, from teacher frustrations to parents of boys to adult students’ issues to career advice for dancers about to go pro and everything else in between. It’s fascinating and very, very addicting, which is also very, very bad considering I have almost zero free time. Which you wouldn’t know by looking at me last night as I sat my ass on the couch and watched back-to-back TV shows (Chris Rock’s HBO special, Entourage, Law & Order: SVU). Hey, it was Sunday! I’m allowed to veg out on Sunday, right? Except I won’t have time to do anything again tonight because I’m going to hip hop class.

Speaking of hip hop class, it’s tonight, and so is the America’s Best Dance Crew concert tour. Because my hip hop class is having a performance on Feb. 1, I can’t miss class, so I’m going to have to miss ABDC. **bangs head on wall** I tried selling my lone ticket on Craigslist but there were no takers, and I can’t resell them on Ticketmaster because the event isn’t sold out. Crap. What a waste of $74! And they’re really good seats too. I’m afraid the same thing’s gonna happen to my SYTYCD ticket. It’s also on a Monday night (why?! why?!) and I’m not going to be able to go because of rehearsals.

Any of you guys wanna buy my ABDC ticket? Or my SYTYCD ticket?

Dancing Boy

Posted in Motherhood and Dancing with tags , , , , on September 28, 2008 by karmelalejarde

I’m on a mission to get my non-dancing son (NDS) dancing. As a dancer and a person who came from a dancing culture where girls AND boys grow up dancing in school, I refuse to have children who can’t dance. Not gonna happen. DD is no problem–she’s already in ballet and tap. As for DS? At first, he put the kibosh on any attempts to get him inside a formal dance studio. Then, after watching multiple seasons of SYTYCD, he finally relented and agreed to go into a breakdancing class. Unfortunately, breakdancing doesn’t usually start until age 9 or 10. So he said he’d try out a hip hop class. Yay! But what about ballet too, I asked. After all, ballet is the basis for all dance, I told him. Would he be willing to try it out too?

He said yes, but with conditions. It has to be (a) an all-boys class, and (b) that his teacher be a boy.

So armed with these restrictions, I went searching for an appropriate class.

My search yielded three serious Vaganova and RAD studios within three miles of my house, but none of them have boys-only classes, or male teachers for that matter. So I widened my search, and…success! I must say we’re lucky to live in an area of the country that is blessed with studios. So here’s what I found, from good to great:

  • The Reston Conservatory. They have an all-boys class that fits into our schedule but with a little adjustment on my part. The commute isn’t great, and the teacher is a woman, but they seem to understand the special needs of boys. They told me that the boys’ class, ages 5-8, don’t spend much time on the barre because all they wanna do climb it, hang from it or scale it.
  • The Classical Ballet Academy. They have an all-boys class that is FREE and is taught by a Bolshoi-trained male dancer! The catch is that it’s 16 miles from our house. But at least the class starts later than the Reston Conservatory’s, and so the commute won’t be as bad.
  • The Maryland Youth Ballet. They have a really comprehensive and progressive boys program, it looks like. I don’t know much about them, and it’s 26 miles from my house, so it’s unlikely that I’ll be sending my son there.
  • The Washington School of Ballet, official school of the Washington Ballet. Now THIS is the holy grail of boys’ ballet education in my area. Not only do they have everything DS is looking for–an all-boys class taught by a male teacher, but because of the attached company and the school’s close relationship with them, there is a strong male energy in the school. The only catch? It’s pretty far from our house–22 miles away.

All these schools require placement/auditions for students past a certain age and date. But for boys, they all make exceptions. The Reston Conservatory has told me they never turn away any boys who want to enroll. The Washington Ballet was also willing to make an exception for him even though auditions are over and it very clearly states on their website, “We do not hold mid-year auditions.”

I think that I can pretty much place NDS in any dance school right now and he’ll be guaranteed parts in future performances, even if it’s just “Party Boy” in a Nutcracker. In ballet, boys are total rock stars, especially in my cosmopolitan metro area. I’ll definitely keep this blog updated on the trials and tribulations of NDS’s adventures in ballet. Maybe I’ll even write a book about it.

Here’s an interesting article from the Post about Boys’ Day at a prestigious dance school in my area, and it also talks about the Washington School of Ballet and the Reston Conservatory’s boys programs. Enjoy!

Dancing While Traveling

Posted in The Dancing Life with tags , , , on September 26, 2008 by karmelalejarde

I used to travel a whole lot for work, not just in-country but all over the world. But with the coming of the kiddies, I scaled way back and now only travel twice a year. But even those two yearly trips have become quite an imposition, let me tell you. With all the driving to and from soccer/ballet/gymnastics/birthday parties/CCD happening each and every single day in our house, NDH (non-dancing hubby) is run ragged whenever I’m out of town. He’s a trooper though and can totally handle it.

I bring this up because next month, my annual Big Work Trip (BWT) is coming up. Unfortunately, budget cuts necessitate that I do the work of two people. Not a problem at all, I’ve done both jobs for so long I can do them in my sleep. But the bad part is I’ll be gone for seven days instead of the usual five. :-( The thought depresses me greatly. Not only will I miss the kiddies but I’ll miss my own classes too!

Fortunately, there’s a silver lining in all this. My BWT is to San Francisco and thanks to BalletTalk, I found a great studio with a bounty of drop-in beginner ballet classes that’s walking-distance away from my hotel! Woohoo! And it’s cheap too, just $13 a class. I’ve already looked at the schedule and picked out all the classes I want to take. My carry-on will contain nothing but logo’d clothes for work and dancewear! ::happy jig:: Maybe I’ll squeeze in a lifting routine at the hotel gym too, while I’m at it. San Francisco rawks, man!

Tonight is ballet class night again! Yippee! Counting down the hours…

Everyday Dancers

Posted in The Dancing Life with tags , , on September 25, 2008 by karmelalejarde

Before my sister started looking into taking an adult beginner ballet class (thanks sis!), I had no idea there was this whole underground network of adult recreational dancers. I didn’t even know there was such a thing as a “recreational” ballet dancer. I always thought that at a certain age, ballet dancers went in one of two directions—those who pursued it as a profession, and those who just…stopped. Because they they were about to enter the “real” world.

I had no clue that there were people out there who either continued to dance on a recreational level, or people who started/restarted to dance later in life. I’m just now discovering this huge community of women with day jobs or busy raising kids who decided that it’s not too late to pursue their dream. They’ve defied conventions and stereotypes and their own self-image of what a ballet dancer should or shouldn’t look like and have taken up the art at an age where many people consider it to be “too late.”

I was one of those people who never dreamed that I could be dancing again. After having given it up at age ten, that was it for me. It wasn’t until my sister presented me with a menu of adult recreational classes in the area that I once again dusted off the dream of dancing ballet.

While I was ecstatic to have discovered recreational dancing, I was also a little wary. After all, isn’t it just a little pathetic to try to recapture something you did as a little girl? Kind of like those women who relive their princess days through their weddings, right? But I had to slap myself silly for even thinking that. First, since when did I care about what people think? And second, so what if I do want to indulge my long-lost inner ballerina? Why should I feel defensive about that? Not like anyone is making fun of my restarting ballet. Turns out I’m my own worst enemy/critic. When I tell people I’ve restarted ballet they’ve been nothing but supportive, and for the ladies, just a little bit envious. Women remember their ballet days fondly—with a smile and a wistful look in their eyes.

The struggles and triumphs of this very special group of courageous grown-up dancers (and yes, it takes courage to don a pair of tights after a certain age) was captured in a documentary called “Everyday Dancers.” It made the rounds of the film festivals and the DVD is available for sale. I’ve hinted to NDH (non-dancing husband) that it might be a good birthday present for his DW (dancing wife). Just watching the trailer made me cry. Grab some tissues and take a look.

Walking Wounded

Posted in The Dancing Life with tags on September 24, 2008 by karmelalejarde

I hobbled out of bed this morning achy from head to toe. My quads hurt like a bitch, I can hardly type my forearms are so sore, and it just hurts to walk period. The forearm pain is no doubt from hip hop class on Monday night when Ms. Represent made us drop to the floor and we had to use our hands to catch our weight. The quad thing? Not really sure. My shoulders and arms hurt from the heavy lifting I did yesterday. I’m trying to build some strength and I used 10- and 12-lb. weights instead of my usual 8- and 10-lbs. Gotta get my upper body ready for some breakdancing, you know.

So I went to a new ballet class last night and it was AWESOME. This class is only an hour long and it’s still a beginner class but it’s at a much quicker pace than my Friday night one. It also has boys(!) in it—a high school kid who is taking ballet to improve his performances in musical theater, and a long-time recreational dancer in his late forties. It is much different than my Friday night class. The music is faster and my teacher (who I will nickname Lady Cheerleader because she’s young and cute and perky and compact), moves us through one exercise after another after another a lot quicker than my Friday night teacher. Even though this class is only an hour long, she packs everything in—demonstration, technique coaching, center work, and across-the-room work (which I’m sure has a name but I have no clue what it is) all in the space of that hour.

Lady Cheerleader gave us pointers to make our movement correct. For example, while doing dégagés, she sat on the floor and pushed back on the leg of the person doing the kick. She asked us to imagine that someone is doing that to our leg so that we retract our working leg instantly. I also learned a couple more different types of kicks or battemants last night such as the fondu, the développé and the frappé. Don’t ask me which one’s which. I’m still trying to keep it straight in my head.

At the end of class I went up to her and asked her to be really brutal in correcting me. I told her I have a goal and I need help in fulfilling that goal. She smiled and said okay. I really like her a lot. I like the speed of her class, I like it that she doesn’t baby us (like my Friday night teacher kind of does), and that she expects us to GET it.

Tonight is kickboxing night. With all my aches and pains I have no clue how I’m going to teach this class. Maybe I’ll just demonstrate once and hope that my students get it. Wish me luck.

I Think I Need Knee Pads

Posted in The Dancing Life with tags , , , on September 23, 2008 by karmelalejarde

IN HIP HOP NEWS: Holy shit, Batman. Last night’s Hip Hop class was ROUGH. Ms. Represent had us dropping to the floor, then rolling, then popping back up, all in four counts! Christ, my hip! My knees! My wrists! Even the twenty-one year olds in class were dragging. Ms. Represent had us doing the combination over and over and over and OVER again. I’m thinking about breaking out my rollerblading wrist guards and knee pads for next class.

We’re going to spend the next few classes cleaning it up. You can imagine how it looks right now—just a lot of old people rolling around the floor like drunks. It needs a megadose of attitude with a dash of badass. It IS hip hop after all. But despite all the pain and agony it was Da Bomb! I had so much freaking fun! Can you believe I actually toyed with the idea of giving up hip hop to concentrate on ballet? I know. Ludacris.

IN BALLET NEWS: I enrolled in a second class! The new studio is a LOT closer to my house, maybe a 7-minute drive as opposed to the 30 minute one-way commute I now spend going to and from my home studio. Plus the new one is run by Russians! Hellayeah! No one I respect more in the ballet world except for maybe the French. For my first class tonight at the new place I’m going to wear my very new, very traditional ballet outfit: black leotard, black skirt, pink tights. I even have my hair in a ballet bun. Till tomorrow!

Need. More. Time.

Posted in The Dancing Life with tags , , , , on September 22, 2008 by karmelalejarde

My old-time obsession with ballet is roaring back like a lion. Since the semester started all I want to do is take classes and read dance.net and look up companies coming to town. (SFB is doing Giselle! ABT is coming to do Swan Lake!)

While my obsession with ballet is infinite, my time unfortunately is not. I am seriously thinking about giving up some of my long-time activities to take more classes. I’ve been a kickboxing instructor for four years now and I teach every Wednesday nights. Should I give that up? How about hip hop class on Monday nights?

—-

Finally saw that 80s classic Flashdance this past Friday. Been wondering how I could have possibly missed it. Now I know. It’s Rated R, which is probably why it was completely off my radar when it first ran (I was just 12 at the time). Now that I’ve seen it, um, holy wow. That movie was B.A.D. The story sucked, the characters completely caricaturish, and so many things didn’t make sense. Like, WHY was she a welder? No explanations here, just BAM. Cute 18-year old girl welding shit. Why couldn’t she have been, say, a bus driver? Or someone in food service? Woulda made more sense. And don’t tell me the bossman didn’t know of her existence until he saw her dancing in that club. C’mon, she was the only chick working for him. Was he blind? And why was she living alone in that enormous warehouse? Did she run away from home? Is she an orphan? What was her backstory? And who is that old woman who was pushing her to dance?

Eh, what am I beating this dead horse for? That movie has already achieved classic status, maybe because it WAS so bad. I did enjoy the dance numbers though. Very artistic, and yet totally wasted on the clientele of the club where the heroine worked, which was another thing that didn’t make any lick of sense whatsoever. Why would the guys go to a dance club that presented performance-quality pieces when there was a strip joint directly across the street?

Okay, it’s my turn to pick the dance movie this weekend. Perhaps I should subject my sis to this:

Goals Redux

Posted in The Dancing Life with tags , on September 19, 2008 by karmelalejarde

Okay, pity party’s over, enough with the looking back. Time to move on. As Edna Mode said in The Incredibles: “I never look back dahling, it interferes with the now.” [/imperious toss of hand] And so because she is my idol and because she and I are almost the same size, I will follow her example and move forward. And what better way to do that than to set some measurable and realistic goals for myself? Let’s see…

  • Pointework. Timetable: two years. Path to success: a three-part process consisting of (1) going to class two to three times a week, (2) a serious lower-body stretch and strength routine, and (3) watching my diet. I’m dropping my carb intake and upping my proteins.
  • Sun King Adult Dance Camp. Timetable: two to three years, hopefully after I’ve been dancing en pointe for sometime. Path to success: pointework (see above).
  • Recital. Timetable: ? Path to success: not sure. But I don’t care if I’m just an extra in a Nutcracker—I want to be onstage!

Aaaah, it felt good to crystallize my goals like that. I have ballet class tonight and am counting the hours! Sis and I are also watching another dance-related movie tonight. Have a great weekend!

Regrets

Posted in Life with tags , on September 18, 2008 by karmelalejarde

Back in college I used to say I’ve never regretted anything in my life. And at the time I was so young it was probably true. In my twenties, I used to say my biggest regret was not having spent a semester of college abroad. When I started writing books in my early thirties, I realized that I should have picked NYU over my alma mater so I could have gone into publishing, become an editor, and had an easier entry into a novel-writing biz.

And now as I’m nearing forty, another regret has crept into my life: the fact that I stopped ballet at 10 years old.

Why did I stop? Simply put, I had unsupportive parents who didn’t believe in dance. But if I went back in time knowing then what I know now, I probably would have still stopped dancing. Ten year olds are very much still under the dominion of their parents, Filipino kids even moreso than Americans. Defying my mother would have been impossible. She would have probably beaten me to a pulp, then locked me inside the house if I had somehow found a way to keep going to ballet on my own, no jest.

We moved to America when I was fourteen and that could have been my big opportunity to start dancing again. But I had a hard enough time fitting in at school, nevermind at a ballet studio. Besides, we were dirt poor and had no money for classes. I could have started dancing again at college. There were tons of recreational ballet and other activities at school. I do remember attending one modern dance class and was totally discouraged when I discovered I’d lost all my extensions and training. I promptly dropped the class and never looked back.

In my twenties, I was focused on jump-starting my career and traveling the world. Dancing never even entered my mind unless it was going to a club and shimmying to the latest beats. Aside: I did take up ballroom dance for my wedding (fun!) and became a hip hop teacher in the interim. But as for actual dance training? I thought it was too late.

In my thirties, I’ve switched careers, taken up group fitness teaching, and have one published novel under my belt. My thirties is the Decade of Multitasking. It’s also the decade when I’ve come to realize that not only do I love the world of dance but I love the arts period. I love performing and writing and acting and dancing and live music. The biggest regret now is not working in some kind of artistic field, be it in dance or fine arts or creative writing or performing. So many people must be suffering from these same regrets thanks to parents who didn’t believe or circumstances beyond their control or a lack of finances to pursue their dream. It doesn’t feel good at all. You feel helpless as time marches on and life passes you by while knowing that if you could only do it over, you know exactly what choices to make.

If my kids ever wanted to pursue something in the arts I fully intend to support them with thought, deed and money. I’ll pay for lessons, drive them to and fro, volunteer backstage, sit in the audience for each and every performance, find good teachers and colleges, take them back home because they’re auditioning and don’t have money for rent, etc. etc. You get the drift. If it’s in my power to make their dreams happen, I most certainly will. I can’t have them regretting a failed dream or goal and blaming me for not having achieved it.

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