Archive for August, 2008

New Stuff

Posted in Fashion with tags , on August 29, 2008 by karmelalejarde

My new ballet shoes:

The Capezio “Juliet” ($17)

My new dance sneakers:

Bloch “Boost DRT” in pink. Naturally. ($60)

My ballet shoes fit me like a glove. I already anticipate some blistering due to the homemade stitching of the elastic. It’s on the snug side but from all the research I’ve done, I heard that it’ll stretch. Let’s hope.

The Blochs are a revelation. Don’t know how I’ve been teaching hip hop all these years without dance sneakers. They are da bomb! They allow for more freedom of movement and they are supercomfortable.

Went to a hip hop class tonight and it was pretty good. Big debut of the dance sneakers. I’ll never dance hip hop without these puppies again, I’ll tell you that.

Keep on dancing.

Dorky Shoes

Posted in The Dancing Life with tags , , on August 27, 2008 by karmelalejarde

In my never-ending quest to get my kids dancing (5-year old DD is already well on her way), I have persuaded 7-year old DS to try out a combination Hip Hop/Tap class this Fall. He is cautiously excited about the hip hop part, less so about the tap part, although he was fascinated with the boys from Debbie Allen’s dance school who performed in SYTYCD’s finale show. I’m pretty confident that he’ll like tap seeing as how in the early years it’s nothing but banging your feet on the floor.

The problem now is finding appropriate clothes. I’m a big proponent of looking like you know what you’re doing from Day 1 of whatever it is you’re trying to do. So I’m shopping around for tap shoes for boys.

Christ. Why do they all look so damned dorky? I basically have two choices: black-patent leather oxfords, or matte-leather oxfords. That’s IT. No wonder not a lot of boys start dancing early on. Why would they when they’re all going to look like Urkel?

Dork Exhibit A:

Dork Exhibit B:

Come ON! Why hasn’t anyone designed tap shoes that look like this?

If they did, I bet more younger boys wouldn’t be so resistant to trying out dance. Hmmmm…possible new business venture?

Classes! And Outfits!

Posted in Fashion, The Dancing Life with tags , , on August 26, 2008 by karmelalejarde

With my sister’s encouragement, I finally got the courage to register for a ballet class! Living where I live, we have tons of pre-professional dance studios and companies in the area. Sis found one that has a progressive adult ballet class that can take me all the way up to pointe if I get good enough. Can you imagine? Me, an almost 40-year old buying her first pointe shoes? I never, ever dreamed it was possible! Maybe somewhere along the line I can even start teaching!

But first things first: sis and I had to coordinate OUTFITS! Be it snowboarding, hip hop class or kickboxing, I never, ever engage in a new activity without the appropriate threads. As far as I’m concerned, looking like you know what you’re doing is Step 1 on the road to success. So, the shopping list:

SHOES: Capezio Juliet, canvas with split sole
TOP: Black spaghetti-strap camisole with built-in shelf bra
BOTTOM: Capri tights
LAYER: Pink wraparound sweater

Bangin! If I keep going I might also get me a black 3/4 sleeved unitard (isn’t that such a funny word?) and pink tights.

The place we’re taking a ballet class also offers an Intermediate-Level Street Jazz/Hip Hop class and I’m considering taking that one too. Could get expensive. I’m at least going to one class to check it out.

Ballet Redux

Posted in The Dancing Life with tags , on August 23, 2008 by karmelalejarde

I started taking ballet classes when I was in second grade and continued on until fourth grade. I loved it. In those two years, I lived, ate and breathed ballet. I also did a bit of jazz and a whole lot of folk dancing too. But my first love was ballet, still is.

My first ballet recital was also, sadly, my last. My parents didn’t believe in dance. Actually, they didn’t believe in any forms of extra-curriculars. Not sports, not martial arts, not music (except the piano or violin) and certainly not dance. My mother, in the two years I danced, kept harping on the fact that dance is only good for one thing — improving posture. The only way I could get her to pay for dance lessons was to agree to take piano lessons which I absolutely detested. Who wants to sit on a bench for an hour when you can DANCE instead?

As a little girl I must have known that my dancing days were numbered because I crammed as much dancing and ballet knowledge as I could during that short period. I went to about two dozen professional performances, read children’s fiction stories about ballet (“Ballet Shoes” by Noel Streatfield was a particular favorite), poured over manuals and technique books and dancer biographies and history of famous companies. I wanted to be a professional dancer. Silly of me, wasn’t it?

But maybe not. See, I was really good back then. Remember that one recital I told you about? I was the lead. But that recital, which should have been my launching pad for more lessons and more exposure to dance, was actually the beginning of the end. My mother, after watching me perform, declared, “That’s it. You’re done.” As if dancing was some kind of illness and after dancing the one performance I would have managed to shake it off my system.

For eight years after that I didn’t step foot inside a dance studio. In college, I took a modern dance class but was dismayed to find that (of course) I’d lost all my extension and all my technical knowledge of dance (What’s a tendu again?). I gave it up after only 3 classes.

Then I took up ballroom with DH to prep for our wedding. It was so much fun and I fell in love with it. But DH is no dancer and after our wedding our ballroom dancing came to a screeching halt.

I re-entered dance by way of the group fitness industry. In trying to get back into shape after pregnancy #1 I found that the only way to discipline myself to work out was to actually *teach* a class. That way I couldn’t flake on my workouts. While I was learning how to teach, a hip hop instructor took me under her wing and taught me how to teach.

Hip hop is a discipline I picked up pretty easily. The one thing I can still do is follow choreography and I was pleasantly surprised to find the dance style forgiving of my lack of technical knowledge and extensions. Soon I moved from taking hip hop classes to teaching them.

Now my little girl is taking ballet classes and I find myself drawn back into the world of ballet. I’d forgotten how much I loved its flow and precision and technique, how it really is the basis of all dance.

I’m now considering re-entering the ballet studio not as the mom of a student, but as a student myself. There seems to be tons of ballet studios in my hometown that cater to the beginning adult student. I can’t believe I’m considering this. It’s expensive on top of the soccer and dance and gymnastics classes already on the menu for the kids. Can I afford this? Should I even do it? My knees are shot from years of punishing impact and there is some damage to my figure from childbirth. Can I put on a (gulp!) leotard again? Can I even fit it into my already jam-packed schedule of full-time work, mothering, writing, teaching classes and volunteer work?

Actually, the real money question is: am I brave enough to do it all over again?

Camera Shy…

Posted in The Dancing Life with tags , on August 15, 2008 by karmelalejarde

So my students last night felt extremely camera-shy and could not perform my routine straight through if I turned on the videocamera. But when I turned it off, they were bangin. So I have no video to show you today. Dang it. Part of the reason I started this blog was so I could compile a library of choreography.

I’m going to teach that same routine again next week so hopefully they’ll be more confident dancing it that I will actually be able to videotape them. Cross fingers!

IN OTHER NEWS: I got a solo ticket to ABDC and SYTYCD! ABDC will be in Washington, DC’s Constitution Hall on Sept. 29, and SYTYCD will be in Baltimore’s Mariner Arena on Nov. 22. Why are they both on a Monday night??? I teach class on Mondays! Argh! And finding subs are so hard.

This Week’s Hip Hop Class

Posted in The Dancing Life with tags , on August 13, 2008 by karmelalejarde

Am teaching tomorrow night at the Lifetime Fitness in Centreville, Va. Music will be Flo Rida’s Elevator. Kapow! That song is killa. The combo is pretty easy to follow, but it’s 4 sets of 32-counts and so it’s a LOOOOONG routine. Hope the class likes it. I will be posting a video on Friday so you can see how the class totally killed it (let’s hope).

IN OTHER NEWS: Starting Monday, Sept. 8, I’ll be rockin another hip hop class on Monday nights at the brand-new Xsport Fitness in Merrifield, Va. From what the coordinator over there tells me, that gym loves to dance! I’m gonna totally rock that house and bring some of my flavor to the place. I’m going to work it better this time, space my routines out and plan my classes better so I don’t burn out. I’m going to change routines only once a month so I can really max out each and every choreo. Plus I’m going to post a video right here in this blog.

SYTYCD Finale

Posted in SYTYCD with tags on August 8, 2008 by karmelalejarde

So if you follow dance, you should know by now that hip hop/popper Joshua Allen won this season’s SYTYCD. I couldn’t be happier for the guy. I’m actually happy about the results, unlike in seasons 2 (when I thought Travis should have won) and 3 (when I thought Danny should have won). This time around, I can see how Joshua totally wowed America with his magnetic personality, boyish charm, undeniable chemistry with his partner, total humility, and powerful dancing talent. His hard-luck history didn’t hurt either. I see really great things for this guy in the realm of dance/music/acting. Here’s to you, Josh! **raises glass**

Now let’s talk about the actual show itself. I posted a rant-ish commentary on TWoP and the Fox boards, but all in all, I enjoyed the finale. Okay, here come the listmaking again:

Things I Thought Were Notable:

  1. Will and Katee nailing the pas de deux. I gotta rewatch this because I was so caught up in trying to see if they were going to flub the turn again that I couldn’t pay attention to the overall performance. And when they did nail it, I was so joyous for them I was blinded to the rest of the routine.
  2. Nigel’s tap number with the kids. That was…surprisingly entertaining. When Nigel stepped out I thought it was going to be all sorts of cheez-whiz, but the old man actually pulled it off. The cheese factor was greatly reduced by the fact that (a) he surrounded himself with kids (Aw, Nigel’s dancing with kids! And babies! And puppies! We have to like the routine!), (b) he was actually genuinely good, and (c) it was a tap number so we were forced to focus on his feet instead of his toothy smile.
  3. “No Air” and “Bleeding Love.” Just as good (and in the case of BL, better) the second time around.
  4. Chbeeb vs. Muraine. That was ah-mazing! Makes me love Nigel even more for bringing this type of dancing to the same stage where a Desmond Richardson, Debbie Allen and Mia Michaels routine were performed. In Li’l C parlance, it totally pushes the legitimization of the art form to new heights of imagination. Did I do good?
  5. Mark. Mark. And more Mark. Despite the fact that no judge picked his Argentine Tango with Chelsie (Die judges, die!), I loved it that he got to dance five times last night — two pairs dances and three group numbers. So what if the camera cut him off during parts of “Five Moes?” (Die cameraman, die!)
  6. Loved seeing the alums, esp. Donyelle, Travis, Ivan (who is really growing into his überlong limbs), Sara (backup singing AND dancing? You go girl!), Dom, Pasha, Dmitry and Anya. And I loved seeing the early-eliminated dancers (Chelsea T! Jaimie!).
  7. Loved Shane’s hip hop number. It was definitely a highlight.

And now, for the Top Things I Hated the Most:

  1. I said it already: why didn’t any judge picked the Marksie Tango?
  2. Jonas Bros: Get the fuck off my stage and leave the performance to real, legitimate artists!
  3. Mary’s dance number. Sigh…I know she sprained her ankle the week before, but if she was going to give a subpar performance, she really should have bowed out of the number.
  4. Where was Danny? Sabra I cared not for (and I hear on the Internet grapevine and Nigel has all but disowned her), but I wanted my Danny during either the montage of former contestants and/or onstage! Where was he?
  5. Uh, wtf was up with that dead rabbit routine? I found it to be subpar Wade. If he was trying to channel Gillian Lynne and Cats, he needed to have studied the natural movement of rabbits more. I found nothing rabbit-y about the dancers’ movements, unlike the choreo in Cats where every twitch, twirl, whirl and arabesque of the dancers was unmistakably feline.

For next year, I’m hoping they’ll show a segment of the dancers finding out who their partners are, a complete set of choreography for the elimination rounds of Vegas week, more Shane Sparks, less Mary Murphy (as in, get rid of her altogether), more Melanie LaPatin (on the judges’ panel), less contemporary boys, more ballroom guys, more women with personality, more Brian Friedman, more behind-the-scenes footage (what about shots in hair-and-makeup? In wardrobe?) and a week-long break for the dancers before the finale week to give them time for R&R.

Next post…let’s analyze some routines. Good weekend, all!

SYTYCD Finale

Posted in SYTYCD with tags , on August 7, 2008 by karmelalejarde

It’s weird that despite my faithfully watching each and every single episode of this season’s SYTYCD, this will be my first post on the subject. So forgive me in advance if I get a little wordy. I’ve actually been chatting away with the folks on TWoP and haven’t felt the need to blog about it. But now that I have this dance-related blog, I must post! So let’s talk about some notables about last night’s finale performance episode, starting with…

  1. I miss Mark. I do. I missed my Marky-Mark. He was my favorite ever since I saw his “Bohemian Rhapsody.” I think the Russian Kepak would have been a much stronger dance if Mark had performed it instead of Twitch. That number was from a ballet after all. Notice how the choreographer didn’t include that sit-down-on-your-heels-and-kick-forward maneuver. Mark could have done it with his eyes closed. Speaking of which…
  2. We finally get a ballet number on SYTYCD! Okay, it was a Russian trepak, but it was from the Nutcracker! Kinda boring. No grace, no style, just a lot of jumps and tricks.
  3. The Jive was meh. Forgettable. I don’t want to see it on tour. And that Broadway routine was positively VOMITOUS! They had Gillian Lynne on the show two weeks ago! Why can’t they do a number from Cats?
  4. I think Courtney totally outdanced Twitch in that hip hop number. He basically just phoned it in. But Courtney really has improved over the course of the season. I was just telling DH that she was lucky to have been partnered with Gev early on. Their chemistry and sexual tension really sucked voters in when it was still vote-for-your-fave-COUPLE time.
  5. At this point, I don’t care who wins, just as long as it’s not Twitch. I think he has more of a future in acting or producing or choregraphing than in actual dancing. He can prolly choreo for SYTYCD or ABDC.
  6. Mary. Shut the fuck up. Can’t you say anything original anymore? I think Nigel needs to replace you with another ballroom expert. How about Melanie LaPatin??? She was all sorts of awesome last night with her, “Okay that was totally not it but let’s try again.” Heh.

Did I vote last night? No. Who do I think will win? Joshua. He’s just the perfect storm of greatness, humility, charisma and good looks. I hope he becomes an honest-to-god celeb from this show. I want him in movies and music and videos and concerts!

My favorite routine of the night:

Cold neck? Nah, just hiding a goiter.

Posted in Fashion with tags on August 6, 2008 by karmelalejarde

So what’s hot on the dance floor these days? The dancers on SYTYCD have been rockin the summer scarf during their hip hop numbers. Check it. This is Comfort and Chris doing the Krump:

I love the look. It’s such the perfect combination of high fashion and street. I especially love it when they’re sporting a keffiyeh, and especially when paired with a skimpy top and jeans. It hasn’t quite taken off in the shopping malls of suburban America yet but I’m thinking in another year or two the summer scarf will be a total staple, just like how the empire waist is now the only type of blouse you can buy from the Limited Too. Which btw, you know when the Limited Too starts selling it, it’s time to move on.

Anyway, my sis refuses to wear a summer scarf because she claims it’ll make her uncomfortable. Honey, please. Since when has feeling good taken precedence over looking good? **eyebrow raise** A look at the summer scarf:

Dance With Me

Posted in The Dancing Life with tags on August 5, 2008 by karmelalejarde

Welcome to a new blog that will talk about dance. From ballet to hip hop, we’ll talk about it here. The newest styles? Show me. The hottest grooves? Bring it. The best studios? Where? The latest threads? I’m buyin’ it.

This blog will be anything and everything to do with dance. In the coming days, weeks and months, we’ll be talking about everything from the hottest tracks to that fantastically awesome show, “So You Think You Can Dance” and everything in between. I’ll also be loading some choreography videos. While I’m partial to hip hop, don’t be shy about bringing up modern or contemporary or ballroom. I’ve dabbled in them all and know just enough to be dangerous.

Dance on!

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